![]() Recording the vocals live in the studio, the band worked a lot with tape, using tape scratching effects to the give the record an even more dubbier feel. As ever, Dunis focuses primarily on vocals, along with synths, piano, and live electronic drums, with Coyes on synths, drum programming, and dubbing on a mixing console. The result, 'Sea of Sand' feels more like a miniLP, with a diverse mix of experimental beats, and extended electronic, popdubs. The band, who founded themselves on innovative technology, and a pragmatic approach to sound and composition recorded the EP together in their home studio, Dreamfuzz. 'Sea of Sand' once against sees the act once again teaming up with an international label, having released on some of the most integral and pioneering imprints in the scene. ![]() With a DIY aesthetic and approach to analogue instrumentalism, Peaking Lights retrodigital sound is one that sits perfectly with Dekmantel.Īlready with a string of highly acclaimed albums across their ten year production history, the husband and wife duo that is Aaron Coyes and Indra Dunis have carved out a niche of quirky electronic, and psychedelic pop sounds. With six tracks, exceeding 30 minutes in total, the extended EP is a prelude to a forthcoming LP. 'Sea of Sand' is the band’s first record in three years not released on their own imprint. ![]() It’s a kaleidoscopic meltingpot of dainty dub, experimental and leftfield beats, with wondrous sunny soundscapes that blend together the unconventional homefashioned electronics, and windswept vocals that have defined Peaking Lights to date. Californian electronic pop duo Peaking Lights make a splash on Dekmantel with 'Sea of Sand', the band’s first release in 2018. ![]()
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